Press

JUNE 2023

Steven Heller of The Daily Heller @printmagazine.com puts a major spotlight on some recent paintings:
Asherah, the Queen of Heaven on Life Support and the Apries/Hophra Time Slip.

See the artwork here


 


Elysian Fields / Dispossessed Video featured in Spirit and Flesh magazine. November 9, 2019




Psychology Today 2018

SPIRIT AND FLESH INTERVIEW / FEATURE. June 2016



2015. hyperallergic.com review of Fantasia of color in Early Cinema; The early color films left out of the history of cinema.

AI-AP PROFILES 2015 / Robert Newman (click for whole interview



Page/feature in SEE YOURSELF X.
by Madeline Schwartzman.

See Yourself X: Human Futures Expanded (SYX) is the second volume of Madeline Schwartzman’s timely series that looks at human perception and the sensory apparatus. See Yourself X focuses in on our fundamental perceptual domain—the human head—presenting an array of conceptual and constructed ideas for extending ourselves physically into space. What will be the physical future of the head and the sensory apparatus in fifty years time, as the mechanisms for how we communicate and sense change, and become obsolete, prompted by the advancement of brain-to-brain communication? SYX looks at where we are now, in the hope of projecting into that future.



AI-AP Motion art pro DART 2013



AI-AP DART INTERVIEW 2014

Ryuichi Sakamoto Mototronics artwork featured in
Cover Art By: New Music Graphics by Adrian Shaughnessy 2008



LA WEEKLY


DANGEROUS MINDS


Sentient developments | art-of-jonathon-rosen

EYE MAGAZINE, SUMMER 2007.


Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art By Charissa N. Terranova, 2014


PAPER MAGAZINE 


NYTimes / 2000


World Art magazine  1998 Melbourne, Australia



PRINT MAGAZINE
Creatures for the millenium. Print Magazine; 5/1/1996. by Carol Stevens  Jonathan Rosen enjoys wide demand for his bizarre imagery. Rosen was deeply influenced by medieval illustrations of grotesque subjects, such as dismembered body parts, hybrid creatures and torture victims, and these images frequently appear.....(more)


ARTFORUM / 1988